The PocketWizard N10-ACC Remote Camera Cable connects a PocketWizard radio to a compatible Nikon DSLR’s 10-pin remote port, enabling dependable remote camera triggering. Whether you’re shooting events, action, or studio portraits, this cable lets you fire a second camera in sync with your main setup.

By adding a remote camera to your workflow, you can capture alternative angles and perspectives without needing an extra operator. It’s a straightforward way to expand coverage and deliver more varied imagery from a single shoot.

Who this is for

• Photographers using PocketWizard radios with Nikon DSLRs
• Event, sports, and wildlife shooters needing remote angles
• Studio photographers who want to step away from the camera and engage with subjects

At a glance

• Remote trigger cable for Nikon DSLRs with 10-pin connection
• Works with PocketWizard radio systems
• Supports half-press and full-press shutter control
• 91cm cable length for flexible positioning
• Designed for newer Nikon cameras (no diode required)

How it works

Connect the N10-ACC cable to your Nikon camera’s 10-pin remote port and attach the other end to a receiving PocketWizard radio. Pair this with a transmitting PocketWizard on your main camera (via hot shoe or PC port).

When you press the shutter on your main camera—or trigger via the PocketWizard test button—the remote camera fires simultaneously. The cable supports both half-press (focus) and full-press (shutter), giving you full control over the remote camera’s operation.

Why choose this product

This cable provides a simple, reliable way to integrate remote cameras into your setup. It enables synchronised shooting without complex configuration, helping you capture multiple perspectives in fast-moving situations or controlled studio environments.

The inclusion of pre-trigger functionality means your remote camera is ready to respond instantly, which is particularly useful when timing is critical.

Ideal uses

• Remote cameras at events or live performances
• Sports and action photography with multiple angles
• Wildlife setups where proximity isn’t possible
• Studio shoots where you want direct interaction with subjects